Michel ODIKA
Pour mémoire
Manuscrit
Par Michel ODIKA
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Publiée le 28 Mars 2009
Pages: 130
Lectures: 37
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Theatre : Immunity to Lie Disguised in Truth
Michel ODIKA
Theatre: reality delivered from the lie of being truth…
In any case, the purpose here is not really to indict the language, but to summon it to the
attention of its inappropriate use - so to speak, let s beware of distorting and oversimplifying
what we say.
.
.
Looking back...
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Theatre : Immunity to Lie Disguised in Truth Michel ODIKA Theatre: reality delivered from the lie of being truth… In any case, the purpose here is not really to indict the language, but to summon it to the attention of its inappropriate use - so to speak, let s beware of distorting and oversimplifying what we say. . . Looking back from the perspective of present, the point is to warn the way misused words tend to generate misleading thoughts, so as to assume this: First, only those who are acquainted with history can improve their stock of knowledge. Second, because the language has often been on the wrong side of history, its product as speech is essentially a child of those centuries of opportunism, distortions and lies in high places, even among the holy of holies of the so-called intellectual objectivity - i. e. little institutional lies from the print of newspapers, the shock waves of TV, and the sentimental cheats of the movie screens. But the world is growing up, while the s
Moins
Par Michel ODIKA
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Publiée le 27 Mars 2009
Pages: 2
Lectures: 38
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Michel ODIKA
Faire-part…
Bloc-notes
Par Michel ODIKA
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Publiée le 27 Mars 2009
Pages: 30
Lectures: 8
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Michel ODIKA
Confidences
d’un sans-papier…
Bloc-notes
Par Michel ODIKA
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Publiée le 27 Mars 2009
Pages: 184
Lectures: 27
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Appel à témoins
Manuscrit
Michel ODIKA
Par Michel ODIKA
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Publiée le 27 Mars 2009
Pages: 261
Lectures: 30
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Michel ODIKA
Travel and Writing
Only those who risk going too far can possibly find out
how far they can go (Thomas ELIOT, poet and dramatist).
Travelling abroad is the best way to discover what is good or bad at home
(Johannes GOETHE, novelist).
The real voyage of discovery consists not in seeking new landscapes but in having
new...
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Michel ODIKA Travel and Writing Only those who risk going too far can possibly find out how far they can go (Thomas ELIOT, poet and dramatist). Travelling abroad is the best way to discover what is good or bad at home (Johannes GOETHE, novelist). The real voyage of discovery consists not in seeking new landscapes but in having new eyes (Marcel PROUST, novelist). A journey is like a person – no two are alike (John STEINBECK, novelist).
Moins
Par Michel ODIKA
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Publiée le 27 Mars 2009
Pages: 3
Lectures: 22
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Michel ODIKA
Aux rivages
du jazz
Bloc-notes
Par Michel ODIKA
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Publiée le 16 Mars 2009
Pages: 30
Lectures: 20
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Arrêt sur images…
Michel ODIKA
Bloc-notes
Par Michel ODIKA
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Publiée le 16 Mars 2009
Pages: 19
Lectures: 29
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Wole SOYINKA: A Dance of the Words
Michel ODIKA
I come alive best in theatre (Wole SOYINKA).
Reading books written by Wole SOYINKA appears to be helpful in realizing
that death is not an event in life, simply because people do not live to experience
death – they live in order to improve their life.
Therefore, death is...
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Wole SOYINKA: A Dance of the Words Michel ODIKA I come alive best in theatre (Wole SOYINKA). Reading books written by Wole SOYINKA appears to be helpful in realizing that death is not an event in life, simply because people do not live to experience death – they live in order to improve their life. Therefore, death is predominantly the sanction of everything the writer can tell, for he permanently borrows most of his intellectual and moral authority from the mastery of death… In many points, Wole SOYNKA’s dramatic work stands as a powerful reflect and experience of the human condition. For instance, readers are constantly told that people as individuals live not only their personal life, but also, consciously or unconsciously, the life of their epoch, their contemporaries, and, not least, their ancestors. In a sense, all human life looks like a dark forest whose trees are genealogical… What else can we learn from reading books by Wole SOYINKA? Everything human is of historical sign
Moins
Par Michel ODIKA
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Publiée le 12 Mars 2009
Pages: 2
Lectures: 93
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1
Ousmane SOW: plasticien accompli…
Michel ODIKA
D’après les conventions en usage, la peinture et la sculpture passent pour être
des moyens d’expression distincts, voire différents, bien que l’une et l’autre approche
se rangent dans la riche catégorie des arts plastiques.
A y regarder de plus près,
cependant, la...
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1 Ousmane SOW: plasticien accompli… Michel ODIKA D’après les conventions en usage, la peinture et la sculpture passent pour être des moyens d’expression distincts, voire différents, bien que l’une et l’autre approche se rangent dans la riche catégorie des arts plastiques. A y regarder de plus près, cependant, la réalité est bien plus complexe, en quoi elle mérite d’être nuancée et relativisée. Aussi n’est-il pas question à travers ces quelques lignes, ceci en réaction aux usages en vigueur, d’ériger une quelconque barrière insurmontable entre deux esthétiques – convenons-en – complémentaires et convergentes. Car il est des artistes, et non des moindres, dont l’œuvre tient lieu de support à un dialogue permanent, et plutôt fécond, entre la peinture et la sculpture. Ainsi de Pablo PICASSO, dont on peut dire qu’il « peint comme on sculpte ». Et d’Ousmane SOW, à propos de qui on peut affirmer qu’il « sculpte comme on peint »…
Moins
Par Michel ODIKA
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Publiée le 9 Mars 2009
Pages: 10
Lectures: 48
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