Net-Art 2.
II Journal
Open windows to the next template.
Interview with Ewa Wojtowicz
„This is a template culture”, says Ewa Woztowicz.
Indeed, software became a
relevant tool for this culture or more: the current paradigm is represented by software itself.
This is the cause that makes Lev Manovich says that we live in a...
Plus
Net-Art 2. II Journal Open windows to the next template. Interview with Ewa Wojtowicz „This is a template culture”, says Ewa Woztowicz. Indeed, software became a relevant tool for this culture or more: the current paradigm is represented by software itself. This is the cause that makes Lev Manovich says that we live in a software culture. Eveything is in changing and entire culture is characterized by an exponential growth. I discussed about the curent paradigm of contemporary art, about net-art mouvement and his present relevance, about the virality of infomation scattering with Ewa Wojtowicz. Ewa Wójtowicz is a new media arts researcher and art critic with a background in fine arts. In 2006 she obtained her PhD in Cognitive Sciences and Social Communication, with dissertation Net Art as an Interactive Art, in Adam Mickiewicz University in Pozna . ń Graduated from Academy of Fine Arts in Pozna (MA in Artistic Education with a thesis onń mail art, and in Printmaking) in 2000. A
Moins
Par ifilosofie
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Publiée le 15 Mars 2012
Pages: 8
Lectures: 64
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Tân?rul artist clujean Vlad C?pu?an ne propune s? privim vreme de câteva minute,
prin proiectul s?u, asupra curgerii timpului ?i modului în care acesta poate sau nu
s? fie reflectat în vie?ile fiec?ruia dintre noi.
Timpul este o tem? frecvent? în
proiectele artistului, într-o lucrare anterioar? acesta încercând s?-l opreasc?...
Plus
Tân?rul artist clujean Vlad C?pu?an ne propune s? privim vreme de câteva minute, prin proiectul s?u, asupra curgerii timpului ?i modului în care acesta poate sau nu s? fie reflectat în vie?ile fiec?ruia dintre noi. Timpul este o tem? frecvent? în proiectele artistului, într-o lucrare anterioar? acesta încercând s?-l opreasc? efectiv (Stoping the time ? Oil on canvas). Cum anume? Printr-o Ma?in? a Vie?ii (Machine Life, proiect început la Torino). Artistul reu?e?te s? performeze suspendarea temporal?, poate cel mai bine, în momentul ascensiunii pe mun?i, acesta fiind pasionat ?i de alpinism. Timpul devine amorf acolo, artistul se transport? într-o alt? dimensiune temporal?. Totul cap?t? un alt sens în momentul coborârii în forfota cotidianului, percep?ia acestuia, dup? trecerea vârfului, prezentând simptomatologia unei iluzii. Acum Vlad C?pu?an propune spectatorului un corpus de instala?ii, grupate în proiectul: Time and Life. Atelierul artistului este martorul t?cut al modului de
Moins
Par ifilosofie
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Publiée le 13 Mars 2012
Pages: 1
Lectures: 1
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La începutul secolulul al 20-lea arta a abandonat în mare m?sur? una din func?
iile sale*, dac? nu func?ia sa de baz?, zugr?virea fiin?ei umane.
În locul
acesteia, majoritatea arti?tilor ?i-au îndreptat aten?ia spre alte teme, precum
abstractizare(abstrac?ie), obiecte industriale ?i materiale (Duchamp, minimali?
tii), imaginea...
Plus
La începutul secolulul al 20-lea arta a abandonat în mare m?sur? una din func? iile sale*, dac? nu func?ia sa de baz?, zugr?virea fiin?ei umane. În locul acesteia, majoritatea arti?tilor ?i-au îndreptat aten?ia spre alte teme, precum abstractizare(abstrac?ie), obiecte industriale ?i materiale (Duchamp, minimali? tii), imaginea media (arta pop), figura artistului în sine ( performan?? ?i arta video), sau, cel mai recent, data (net art). Când arti?tii î?i focalizau aten?ia pe figura uman? (spre exemplu: Picasso sau De Kooning), deseori era doar o scuz? pentru a investiga posibilit??iile picturii sau condi?iile reprezent?rii în general. Acei pu?ini (Kokoschka, Giocometti, Bacon) care au continuat s? descrie figura uman? în loc s? înregistreze toate greut??iile ,,condi?iei umane?, au înregistrat doar ?situa?ia întunecat? a acestei condi?ii, mai curând decât întreaga gam? a ipostazelor umane. La începutul acestui secol, ?i dup? încheierea R?zboiului Rece, încheierea postmodernismului, ?
Moins
Par ifilosofie
Texte
Publiée le 13 Mars 2012
Pages: 2
Lectures: 6
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Net-Art.
2.
IINet-Art.
2.
II RevueRevue
Par ifilosofie
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Publiée le 13 Mars 2012
Pages: 32
Lectures: 36
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For a couple of minutes the young artist from Cluj, Vlad C puă șan suggests watching the
passing of time, through his project.
Time is a recurrent theme in the artist’s projects, in a
previous work, he attempted to actually stop it (Stopping the time – Oil on canvas).
How?
With a Life Machine (Machine Life, project started in...
Plus
For a couple of minutes the young artist from Cluj, Vlad C puă șan suggests watching the passing of time, through his project. Time is a recurrent theme in the artist’s projects, in a previous work, he attempted to actually stop it (Stopping the time – Oil on canvas). How? With a Life Machine (Machine Life, project started in Torino). The artist succeeds in performing temporal suspension, maybe in the best way while escalating the mountains, alpinism being one of his pastimes. There, time becomes amorphous; the artist is transported to another time dimension. Everything gains another meaning when going down to the daily hassle, its perception having the symptoms of an illusion, once the peak is passed by. Now Vlad C puă șan suggests us to watch a corpus of installations, grouped in the project Time and Life. The artist’s studio is the silent witness of conceiving the installations (a projector, the case of apples, the time box, the wall and an electricity source). Time cannot b
Moins
Par ifilosofie
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Publiée le 13 Mars 2012
Pages: 2
Lectures: 3
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Art world is in direct contact today with science and technology.
But, net-art
is in difficulty since web 2.
o explosion and this thing represent a new artist
situs.
I discussed about the curent artist situs, about cybism and viractualism
with Joseph Nechvatal.
Joseph Nechvatal is a post-conceptual art digital artist and art...
Plus
Art world is in direct contact today with science and technology. But, net-art is in difficulty since web 2. o explosion and this thing represent a new artist situs. I discussed about the curent artist situs, about cybism and viractualism with Joseph Nechvatal. Joseph Nechvatal is a post-conceptual art digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Since 1986, Joseph Nechvatal has worked with ubiquitous electronic visual information, computers and computer-robotics. In 2002, he extended that artistic research into the field of viral artificial life through his collaboration with the programmer Stéphane Sikora. Books: Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006), published by Edgewise Press in 2009, Immersion Into Noise, Open Humanities Press/ 2011. Rares Iordache: What is the current artist situs in d
Moins
Par ifilosofie
Texte
Publiée le 13 Mars 2012
Pages: 2
Lectures: 30
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Irregular F RevueIrregular F Revue
NNo.
3/Vol.
IIIo.
3/Vol.
III/201/20111
DIGITAL CULTURE –DIGITAL CULTURE –
SOFTWARE THEORY – NET-SOFTWARE THEORY – NETARTART
Number edited byNumber edited by Rareș IordacheRareș Iordache
Par ifilosofie
Document Adobe PDF
Publiée le 16 Jan. 2012
Pages: 227
Lectures: 13
Téléchargements: 2
Irregular F RevueIrregular F Revue
NNo.
3/Vol.
IIIo.
3/Vol.
III/201/20111
DIGITAL CULTURE – SOFTWAREDIGITAL CULTURE – SOFTWARE
THEORY – NET-ARTTHEORY – NET-ART
Number edited byNumber edited by Rare IordacheșRare Iordacheș
Par ifilosofie
Document Adobe PDF
Publiée le 21 Nov. 2011
Pages: 166
Lectures: 23
Téléchargements: 1
cluj-napoca, Roumanie
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