OIDIPUS
AKT ETT
Tredje Utkastet.
FÖRSTA SIDAN
(sju panels)
ETT
Ett fin översikt över Göteborg.
Vi fokuserar oss på
Linnegatan och en restaurang som heter: Björklund.
CAP
Måste vända på laxen, glöm
inte löken.
TVÅ
Inne i resturangen.
Den är fylld med människor i kostymer På
scenen är ett litet kök och människor...
Plus
OIDIPUS AKT ETT Tredje Utkastet. FÖRSTA SIDAN (sju panels) ETT Ett fin översikt över Göteborg. Vi fokuserar oss på Linnegatan och en restaurang som heter: Björklund. CAP Måste vända på laxen, glöm inte löken. TVÅ Inne i resturangen. Den är fylld med människor i kostymer På scenen är ett litet kök och människor har samlat runt köket för att titta på STEFAN BJÖRKLUND. Han håller på att laga. En man, CHARLIE står nära scenen. TEXT – 31 år. CAP För mycket grädde i såsen. CHARLIE Kom igen, Stefan. Imponera oss! TRE Stefan fortsätter laga maten. Han tittar upp och ler mot Charlie. CAP Ibland vill jag bara slå honom. STEFAN Alla ni vet att den här dagen är speciell för mig, va? STEFAN Inte bara har vi öppnat den här fina resturangen efter att ha planerat och sparat i två år. STEFAN Men det är också min frus födelsedag. FYRA Stefan ler mot en tjej, EBBA SKAGERT, som står i publiken. STEFAN Grattis älskling. EBBA Tack.
Moins
Par Gegga moja
Microsoft Word
Publiée le 26 Jan. 2012
Pages: 29
Lectures: 3
Téléchargements: 0
DIVIDED
PART SEVEN
Third Draft.
PAGE ONE
(five panels)
ONE
Inside the house.
Garlan is still sitting strapped to the
chair.
Someone other then a Handler are removing the wires in
his head.
Olive and Kayla* are there.
OLIVE
Four punctuations to the back of
the head and few layers of lost
skin.
OLIVE
He s going to be just alright....
Plus
DIVIDED PART SEVEN Third Draft. PAGE ONE (five panels) ONE Inside the house. Garlan is still sitting strapped to the chair. Someone other then a Handler are removing the wires in his head. Olive and Kayla* are there. OLIVE Four punctuations to the back of the head and few layers of lost skin. OLIVE He s going to be just alright. KAYLA* How are yo feeling? GARLAN Hungry. TWO Olive turns her head, looking at stuffs lying around the room. Kayla* notices this. KAYLA* Quite a collection. OLIVE Just random crap. KAYLA Or things that s been around the workshop. THREE Kayla* and Olive give each other a serious looks. A man drags out a wire from Garlan s head. GARLAN Hey! Be careful! That s my brain you re playing with. FOUR
Moins
Par Gegga moja
Microsoft Word
Publiée le 22 Jan. 2012
Pages: 12
Lectures: 8
Téléchargements: 0
DIVIDED
PART SIX
Third Draft.
PAGE ONE
(seven panels)
ONE
Freddy* is looking down at two different streets.
On his
chest we can see the digital numbers.
#0000001.
TWO
Freddy* runs down the street to the left.
THREE
Freddy* stops right in front of a house.
His digital numbers
read.
#0000010.
FOUR
He steps through the door into...
Plus
DIVIDED PART SIX Third Draft. PAGE ONE (seven panels) ONE Freddy* is looking down at two different streets. On his chest we can see the digital numbers. #0000001. TWO Freddy* runs down the street to the left. THREE Freddy* stops right in front of a house. His digital numbers read. #0000010. FOUR He steps through the door into an old, abandoned house. FREDDY* I know you re in here. I can feel the transmitter. FIVE Freddy* opens a door and looks into an empty room. His numbers reads: #0001010. FREDDY* I may not have much time left, but I can at least find out who you are. SIX Freddy* opens another door. He looks at the wall to his right. FREDDY* Just tell me this, If you don t have a bracelet yourself, how are you able to control the workers? FREDDY How are you able to connect? What are you using.
Moins
Par Gegga moja
Microsoft Word
Publiée le 17 Jan. 2012
Pages: 12
Lectures: 4
Téléchargements: 0
DIVIDED
PART FIVE
Third Draft
note:
Naming wife and husband, Kate and Mark.
Just cause.
PAGE ONE
(seven panels)
ONE
The Bentley is lying up-side down, wrecked.
The river is
pouring right through the car.
TWO
Inside the Bentley.
The family is trying to pull of their
seat-belts, but they re stuck.
MARK
It s not coming off.
THREE...
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DIVIDED PART FIVE Third Draft note: Naming wife and husband, Kate and Mark. Just cause. PAGE ONE (seven panels) ONE The Bentley is lying up-side down, wrecked. The river is pouring right through the car. TWO Inside the Bentley. The family is trying to pull of their seat-belts, but they re stuck. MARK It s not coming off. THREE Kate is staring right at Kylie*, who s face and chest we don t see. KATE What s wrong with her eyes? Why does she have that face? FOUR Mark takes a quick look. MARK I-I. . . I don t know. Try to find something to cut the seat-belts with. FIVE Staying in the roughly the same position as in the previous panel, but now the car is being lifted up. The family looks stunned. MARK What s happening? SIX Moving out, thousands of Freddys* are lifting up the car from the river.
Moins
Par Gegga moja
Microsoft Word
Publiée le 16 Jan. 2012
Pages: 11
Lectures: 1
Téléchargements: 0
DIVIDED
PART THREE
Third Draft.
PAGE ONE
(five panels)
ONE
Nine different Garlans* are standing in the weaponry room.
Each Garlan is picking up semi-automatic weapons.
At the door
is Kylie.
KYLIE
You know.
One of my workers just
dropped of Olive at some
meeting.
KYLIE
Now she s driving around all
by herself.
KYLIE
Why don t one...
Plus
DIVIDED PART THREE Third Draft. PAGE ONE (five panels) ONE Nine different Garlans* are standing in the weaponry room. Each Garlan is picking up semi-automatic weapons. At the door is Kylie. KYLIE You know. One of my workers just dropped of Olive at some meeting. KYLIE Now she s driving around all by herself. KYLIE Why don t one of you handsome boys pick her up? TWO Let s focus on one of the Garlans*. He turns his head towards Kylie while holding an AK-47. GARLAN* I m under strict orders from Ms. Graver not to. . . Experiment with the bracelet anymore. THREE Kylie looks at that Garlan*. KYLIE Is that what she told you? Experiment? KYLIE Sometimes I think you two are closer then we are. GARLAN* It s not that. FOUR Focus on Garlan*. GARLAN* I don t what we re doing is wrong. I feel the love.
Moins
Par Gegga moja
Microsoft Word
Publiée le 12 Jan. 2012
Pages: 12
Lectures: 5
Téléchargements: 0
DIVIDED
PART FOUR
Third Draft.
PAGE ONE
(five panels)
ONE
Freddy and Garlan* are standing by the passage.
There s
basically no water around now.
GARLAN*
I m going first.
I m not crawling
behind you.
Last thing I wanna
see now.
FREDDY
Garlan.
I feel like I should
apologize for snapping at you
for the pumps before.
GARLAN*
Don t...
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DIVIDED PART FOUR Third Draft. PAGE ONE (five panels) ONE Freddy and Garlan* are standing by the passage. There s basically no water around now. GARLAN* I m going first. I m not crawling behind you. Last thing I wanna see now. FREDDY Garlan. I feel like I should apologize for snapping at you for the pumps before. GARLAN* Don t worry about it. TWO Garlan* takes a closer exam at the passage, but Freddy still looks at him. FREDDY You and Kylie say that, but you don t mean it. GARLAN* Look. People usually respect me, but since you re Freddy, you can just walk over me. THREE Closing in on Garlan*. GARLAN* Usually, I m OK with that, you know this job better then I, but. . . GARLAN* When you do in front of citizens, that respect is diminished. FOUR Freddy places his hand on Garlans* shoulder.
Moins
Par Gegga moja
Microsoft Word
Publiée le 12 Jan. 2012
Pages: 11
Lectures: 1
Téléchargements: 0
DIVIDED
PART TWO
Fourth Draft
Note:
Instead of working around the digital numbers, whenever a
worker appears, the asterisk symbol (*) will appear after
the character s name.
PAGE ONE
(seven panels)
ONE
A single Hugo* is standing on top of the mountain,
looking up at the water plant, which is standing on
several pillars.
HUGO*
My...
Plus
DIVIDED PART TWO Fourth Draft Note: Instead of working around the digital numbers, whenever a worker appears, the asterisk symbol (*) will appear after the character s name. PAGE ONE (seven panels) ONE A single Hugo* is standing on top of the mountain, looking up at the water plant, which is standing on several pillars. HUGO* My workers traced the water leak up here, but I don t see any spill. TWO In an office. Hugo is sitting on a chair with his eyes closed as several people work around. A man looks directly at him. MAN How can you be sure? The reserve is massive. HUGO* There are 155000 different parts around the water plants control system. HUGO* I m looking at them all, but there is no damage. MAN Then where is the water coming from? THREE Several Garlans* is helping people out of their homes, carrying their luggage and helping old folk in wheelchairs out. GARLAN* No, you can t bring all your belongs. Just the essentials. GARLAN* There are buses waiting down the bloke.
Moins
Par Gegga moja
Microsoft Word
Publiée le 1 Jan. 2012
Pages: 14
Lectures: 4
Téléchargements: 0
DIVIDED
PART ONE
Fourth Draft
PAGE ONE
(six panels)
ONE
Establishing shot over a beautiful utopia-like city.
It
streches beyond the horizion.
TWO
Inside a messy apartment.
We start of looking at a Dr.
Manhattan action figuering.
In the background, a man in a dark long-sleeved t-shirt
named Fredrick Freddy Purdy, 31 years old, is...
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DIVIDED PART ONE Fourth Draft PAGE ONE (six panels) ONE Establishing shot over a beautiful utopia-like city. It streches beyond the horizion. TWO Inside a messy apartment. We start of looking at a Dr. Manhattan action figuering. In the background, a man in a dark long-sleeved t-shirt named Fredrick Freddy Purdy, 31 years old, is tossing back DVDs from his giant DVD shelf. We never see his chest. FREDDY Where is it? Come on! Show yourself! SFX RING! RING! THREE Freddy answers the door phone. Next to him is a poster of Pulp Fiction. FREDDY Yes, Hugo. I ll be right down, I just gotta. . . FOUR Freddy looks out over the messy apartment. In the middle is stuffed Naruto doll. FREDDY … Reorganize. Wait! I know where it is. I m coming down. VOICE Where is what? FIVE Freddy is locking the door. An elderly lady, MRS. WOODS is carrying a bag of groceries as she s about to walk into her apartment. MRS. WOODS You have a nice day a work, Mr. Purdy.
Moins
Par Gegga moja
Microsoft Word
Publiée le 27 Déc. 2011
Pages: 12
Lectures: 10
Téléchargements: 0
BRÄNN DIN BIL
Andra Utkastet
FÖRSTA SIDAN
(fem panels)
Ett
Trerumslägenhet.
ERSIN, 28 sitter med sin lilla syster, ECE
på golvet och leker med en leksak.
ERSIN
Du kan inte ta den.
Två
Ece försöker räcka efter den, men Ersin lyfter leksaken
högre.
I köket håller deras morsa, BAHAR på att diska.
ERSIN
För långsamt....
Plus
BRÄNN DIN BIL Andra Utkastet FÖRSTA SIDAN (fem panels) Ett Trerumslägenhet. ERSIN, 28 sitter med sin lilla syster, ECE på golvet och leker med en leksak. ERSIN Du kan inte ta den. Två Ece försöker räcka efter den, men Ersin lyfter leksaken högre. I köket håller deras morsa, BAHAR på att diska. ERSIN För långsamt. BAHAR Aj! Tre Ersin tittar på Bahar. ERSIN Jag kan ta disken. BAHAR Nej, nej. Jag kan ta den. Det är bara ryggen som stelna till lite. Fyra Ersin tittar tillbaka på Ece, som håller leksaken. ERSIN Du kan inte ta ERSIN Din lilla fuling. Fyra Ersin kramar om Ece. I köket stirrar Bahar chockerat ut genom fönstret. BAHAR Åh nej! ERSIN Jag kan ta disken. Det är lugnt för mig.
Moins
Par Gegga moja
Microsoft Word
Publiée le 18 Sept. 2011
Pages: 28
Lectures: 16
Téléchargements: 0
FOR MY PURPOSE ONLY
PART TWO
Second Draft
PAGE ONE
(six panels)
One
Rick and Courtney are standing on a beach, over-looking the
ocean.
RICK
What is it with you and the
beach?
COURTNEY
It s everything.
The fresh air,
the cool water, the warm sand
between your toes.
COURTNEY
There s such a calm about it
all.
Two
Rick looks down on...
Plus
FOR MY PURPOSE ONLY PART TWO Second Draft PAGE ONE (six panels) One Rick and Courtney are standing on a beach, over-looking the ocean. RICK What is it with you and the beach? COURTNEY It s everything. The fresh air, the cool water, the warm sand between your toes. COURTNEY There s such a calm about it all. Two Rick looks down on his watch. RICK We better head back. The hotel is serving dinner in half an hour. COURTNEY Yeah, I really need to shower before we go dancing too. Three Rick holds out his hand and Courtney grabs it. Four They jump into the car. RICK We could go here again, before we return home if you want. COURTNEY No. It s better leave to like this. A perfect memory. Five They drive out.
Moins
Par Gegga moja
Microsoft Word
Publiée le 17 Sept. 2011
Pages: 16
Lectures: 2
Téléchargements: 0