A history of the Gothic Rock band Veil of Thorns including discograhy, art, interviews and photos.
The artifacts of kkoagulaa too are not so many calcified forms, but moments of the process of discovery captured. In a time when the business and cultural role of music and art is becoming increasingly...
[Plus]
The artifacts of kkoagulaa too are not so many calcified forms, but moments of the process of discovery captured. In a time when the business and cultural role of music and art is becoming increasingly destabilized, a quickening of chaotic activity ends up opening up new possibilities. This period of chaos before new structures coalesce into the next orthodoxy, before a possible return to and strengthening of corporate hegemony, the creative community has an opportunity to stretch out beyond safe art and safe social functions.
Better still, we see an opportunity to include everyone when we talk about the creative community. Not in theory, not as a fluffy bromide to flatter an “audience” or a way to make “customers” feel included in something when they’re nothing but another resource to be exploited. Art exists for you to shape it, hijack it and remake, remix, reiterate and even reject it. It is for you to inspire thought, critical thinking, re-consideration.
[Moins]
Animate and inanimate switch and I stand in walls of skin and sinew surrounded by plastic people.
